Differences and Similitarities between Mozart and Beethovens early and Essay

Differences and Similitarities between Mozart and van van Beethovens early and late Symphonies - Essay ExampleAdditionally, personal differences, in terms of lifestyles withal contributed to the differences in their symphonies. Thus, the following ar the differences and Similarities between Mozart and Beethovens early and late Symphonies Similarities between Mozart and Beethovens early Symphonies Mozart and Beethovens early Symphonies were sympathetic in various ways. First, their early symphonies are characterized by the practise of Sonata form, which was the main musical structure that characterized the immaculate music era (Keefe, 66). The two composers applied Sonata form in almost every of their works, only that it could be combined with other forms of music structure such as the Rondo and the variation forms. The examples that can run the use of the sonata form in their early works are the Mozarts K 296 composition and Beethovens forte-piano quartets, also referred to as the WoO 36 (Will, 55). These are some of the before compositions by these two musical composers, which depict the application of sonata form, almost in a very identical way. The application of sonata form as a musical structure by the two composers in these two earlier works is depicted by the division of the compositions into three separates. Both the K-296 symphony, which was composed in 1781 by Mozart and the WoO36 Piano quartets symphony, which was composed by Beethoven before 1792, displays the classification of the composition into the exposition, a emergence and a recapitulation sections (Will, 44). These symphonies entail the presentation of a transition, from how the brisk material of the compositions are organized in harmony at the exposition section, hence developed into elaboration and contrast at the development section, and finally harmonized and resolved to create a harmoniously integrated rhythm at the recapitulation section (Keefe, 68). This musical structure starts with a harmonized and simplified tonal stability at the exposition section, then enters the development section where more tension is build, and complex tonal textures, far-ranging key changes and highly agitated rhythms are developed, to create the climax of the musical composition at the development section, and finally enters the recapitulation section, where the tension and tonal complexity is reduced, resulting to a cool harmonious finishing rhythm (Will, 41). These are the major characteristics of Mozarts K 296 composition and Beethovens Piano quartets, which are some of their earlier works. Differences between Mozart and Beethovens early Symphonies thither are notable differences between Mozarts and Beethovens early symphonies. The difference emanates from the fact that duration Mozart was a musical composer of his bear making, Beethovens musical composition were a hybrid of Mozarts and other artists style. In developing his symphonies, Beethoven was particularly in fluenced by Mozart on one hand and Joseph Haydn on the other (Keefe, 72). Therefore, he combined their musical composition styles to create a hybrid, which he then gave his own personality. This led to a development of a unique stylistic composition that was different from those of his influencers. Therefore, Mozarts and Beethovens early symphonies were different in that, while Mozart observed musical rules and played within the confines of harmony and smooth transition of keys and rhythm, Beethoven adapted the style of